The greatest
architectural achievement of whole range of Indo-Islamic architecture is the
Dream in Marble, the Taj (1647-48) at Agra. Apart from its romantic appeal, the
Taj is a masterpiece of architectural style in conception, treatment and execution, all alike. The conception as
usual takes the form of a garden tomb
but situated as it is on the banks of river Yamuna, it is enclosed only
on three sides. The solid foundations and substructure of the terrace of the
Taj amply bear out the remarkable engineering skill and perfection of building
technique. It has been established that the terrace on the river front has been
raised on well foundations with fillings
of rubble masonry in between. The majestic entrance gateway is again a monument
in itself. Its façade consists of a
lofty vaulted arched recess set within a rectangular frame with similar but
smaller alcoves in two storeys on each side and an octagonal turret surmounted
by a domed pavilion at each corner. The profuse inlay of white marble and
precious stones into the red sandstone surface and the elegantly executed
inscriptions inlaid with black marble on white marble surface impart a charming
elegance to the whole structure.
(Graves of Mumtaj Mahal and Shahjahan)
The Taj
itself is situated in the centre of a marble terrace between two buildings of
similar design, a mosque on the west, being itself a monument of sufficient
charm and beauty and its exact replica used as a mihmankhana (Guest room) on
the east for maintaining symmetry. The four white marble minarets, rising in four
storeys and crowned by shapely domes which stand majestically at the corners of
the terrace , add to the dignity of the entire setting. Architecturally, the mausoleum
is very similar in general design to Humayun’s tomb (in Delhi); it is, for
example also square in plan externally, with flattened corners, while the
façade on each side contains a huge vaulted arched recesses in two storeys on
each side. Internally, too, it consists of an octagonal hall forming the
cenotaph chamber enclosed at each corner
by two-storyed compartments connected
together by corridors and passages. The octagonal hall has a vaulted ceiling
constituting the lower part of the beautiful double dome. The perfectly shaped slightly bulbous
dome itself, placed in the centre on a lofty drum, is extremely elegant and
Persian in character, while around it, on each corner of the roof, are four
pleasing cupolas whose hemispherical domes are of Indian design but still quite
graceful. All these different parts have been combined to form a perfectly
balanced composition, of great architectural merit in itself. But what has made
the Taj astoundingly beautiful and dream-like is the chaste white marble of
pure texture and delicate grain used in its construction and the lavish and
sumptuous embellishment in the form of surface decoration of varieties—highly
artistic pietra dura ornamentations in floral and arabesque patterns, extremely
elegant marble-carvings in low relief, delicate traceries of marble railings
and beautifully executed inscriptions in black marble inlay on white surface.
The Taj Mahal
has relegated to the background a little known and small but architecturally
quite an impressive mosque, called Fatehpuri Masjid (circa, 1648), just outside the main
entrance of its enclosure. Standing at
the west end of a lofty basement comprising engrailed arched cells, the
rest of its forming an open court, which is fenced on all sides by an
ornamental galleried balcony supported on brackets, and having at each front
corner a domed octagonal turret, the mosque consists of a prayer-hall of three
chambers, fronted with a series of engrailed arched openings, the central one
of which is covered by a single bulbous dome and the side ones with shouldered
roofs. Architecturally, the mosque is a monument of fine proportions and
perfectly balanced composition. Its corner
octagonal furrets rising above the prayer-hall, the artistic parapet between
them and above deep cornice supported on brackets, the varying height of the façade,
the shallow paneling of engrailed archs covering the whole of the exterior and above all, its somewhat
unusual but extremely pleasing elevational aspect, have made this mosque one of
the best monuments in the chaste and pure late Mughal style.
The Taj
Mahal situated at Agra (city and district) in Uttar Pradesh state of India.
The Taj
Mahal changes its colour according to the rays of the Sun.
The Taj
Mahal looks very much beautiful in the night of Full moon.
The Taj
Mahal was built by Mughal emperor Shahjahan in the memory of his third wife Arjumand
Bano begum (famous name, Mumtaj Mahal).
The Taj Mahal was first
included in the seven wonders of the world and now listed in UNESCO’s World
Heritage Sites.
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